Fredric Wertham was a
German American psychiatrist, who wrote a scholarly tome in 1954 called
Seduction of the Innocent.
He presented his belief that mass media and comic-book violence was
creating a surge in juvenile delinquency. His writing and testimony for
the U.S. Congress contributed to the creation of the Comics Code, which
censored that industry. His beliefs have been challenged over the years,
but the concern did lead to a surge in movie tie-in paperbacks that
focused on teenage angst leading to delinquency.
One earlier precursor would be
The Road to Ruin (1928), a
small paperback 48-page booklet likely sold in theaters that proclaimed
inside the front cover to be "The vibrant story of a delinquent
girl". The film outlined future film plots of minor delinquent
behaviors leading to sex, drugs, addiction, prostitution, and
prison. The film was a top box office success that year with a
gross of $2,500,000. This undated booklet with film stills by
Cliff Broughton Productions in Hollywood is available in two covers, one
without film credits perhaps to give promotion to the 1934 remake.
Avon, a predominant paperback publisher took the lead in this genre and
gave us titles that are highly collected today. The first title The Amboy Dukes was filmed as City Across the River (1949) and cast
a light on teenage gangs that became central to many Hollywood
screenplays. Another title was the debut of an acting giant, Jack
Nicholson in the novelization for Cry
Baby Killer in 1958. Other Avon titles of merit include
Hot Rod Gang (1957), Cry
Tough, High School
Confidential, Juvenile
Jungle, and Young and Wild
all in 1958. Avon also published a plethora of fiction paperbacks
with Teen Rebels that never became movie tie-ins.
London based publishers in comparison provided relatively few film
tie-ins. Notable examples are Spare
the Rod (1961), 13 West
Street (1962), The
Loneliness of the Long Distance Runner (1962), and To
Sir with Love (1967). The 1959 novel To Sir,
With Love by E. R. Braithaite was altered to reflect the
‘swinging sixties’ rather than post-war London. This film with
education as a focus and being set in an inner-city London secondary
school allowed for multiple hardcover and paperback editions on both
sides of the pond. The creative concepts necessary to teach a
class of delinquents is heightened in this film with aspects of racism
as well. Several publishers marketed their wares to educational
institutions as text for Literature classes examining modern novels.
The film title for Rebel Without a Cause (1955)
was borrowed from the 1944 non-fiction book by psychiatrist Robert M.
Lindner titled Rebel Without a Cause: The Hypnoanalysis of a
Criminal Psychopath. The similarity ends there, and
author Irving Schulman took his early screenplay concepts and wrote the
film novelization called Children
of the Dark in 1956. This film heightened the
success of young James Dean and Irving Schulman. The second to
last film for James Dean will live on through the ages. Schulman
had earlier success with The Amboy
Dukes being filmed and later with Cry
Tough, also he wrote the novelization for West Side
Story.
The musical film West
Side Story (1961) presented a Romeo and Juliet theme with
song lyrics and street choreography along with the gang rumbles between
the Sharks and the Jets. Ten Academy Awards reflected the artistry
of this film. Unfortunately, there are few movie tie-ins for this
one.
Other notable entries would include The Blackboard Jungle (1955), 400 Blows (1959), The
Young Savages (1960 novel A
Matter of Conviction), Key
Witness (1960), and Wild in
the Streets (1968).