Photoplay
Editions & Movie Tie-Ins |
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Early science fiction novels by
Jules Verne were filmed as early as 1916 with the appearance of 20,000 Leagues Under the Sea with
Grosset and Dunlap providing a nice photoplay edition with a wraparound
photo dust jacket. This film introduced the iconic Captain Nemo to
the theater audience and seeing underwater film action of a submarine
was a ‘big deal’ at the time. The
Mysterious Island also by Verne is a 1929 part-talkie film
loosely adapted from the novel that featured a diving boat, dragons,
giant squid, and an underwater race of humanoids. The photoplay
edition has some double-spread interior stills in addition to the photo
endpapers. This is a crossover subject with pages for Horror and
Fantasy books. The wife of German film
director Fritz Lang, Thea von Harbou brought us Metropolis
and The Woman in the Moon (UK
film title – Girl in the Moon)
in the later 1920s. These British photoplays by Hutchinson and
Readers Library fetch high prices. The first English language
edition of Metropolis by Readers Library is identified by the absence of
any reprint dates and a dust jacket and text that do not list Metropolis
as a Readers Library title. The
Woman in the Moon was reprinted by World-Wide in the United
States with a new dust jacket, under the title Rocket
to the Moon. The concept of mad scientists
tends to be a crossover with horror films but at least three different
versions of Dr. Jekyll and Mr. Hyde
exist as film books, including a 1913 short version that may be the
earliest United Kingdom film edition. Another contender for
earliest being A Message from Mars
(1913), a solid sci-fi venture. Other demented scientists include
Dr. Cyclops (1940), Dr. Moreau
in Island of Lost Souls
(1932), and Dr. Frankenstein, who created the mate for the monster in The Bride of Frankenstein (1935). There are several film books
derived from the futuristic writing of H. G. Wells in the 1930s. The Island of Lost Souls (1932 from The
Island of Dr. Moreau), The
Invisible Man (1933), Things
to Come (1936 from The Shape of Things to
Come), and The Man Who
Could Work Miracles (1936), all have film editions. The
Island of Dr. Moreau film edition published by Duffield and
Green is among the rarest of all movie books and the controversial
nature of the film led to it being banned in Great Britain. This
title was reprinted by Dodd Mead utilizing remainders from Duffield and
Green, which can create confusion on this one. The first dust
jacket has a written credit to the Paramount film at the bottom of the
front panel. Other science fiction films
preceding 1950 that have book editions include Chandu
the Magician (1932), The
Tunnel (1933), F.P.1
(1933), Once in a New Moon
(1934), The Lost City (1935),
and The Miracle Rider (1935),
a combination of cowboys and science. The 1940s gave us little in
respect to film editions in this genre. The realities and
consequences of WW2 seemed to put a damper on science fiction films. The Golden Age for science
fiction films begins in the 1950s and culminated with Moon
Zero Two in 1969 (the last year for listings within the scope
of this website). The emerging science technologies, the potential
for nuclear warfare, and the ongoing ‘cold war’ were factors in the
abundance of films during this era. Perhaps the most desired book
from the 1950s would be Creature from
the Black Lagoon (1954), a First Edition novelization by
Vargo Statten (John Russell Fearn) published by Dragon Press in
London. The digest paperback is much harder to find compared to
the hardcover in the dust jacket and one of the rarest of collector
paperbacks. Other notables available as
movie tie-ins include The Thing from
Another World (1951), The
War of the Worlds (1953), This
Island Earth (1955), The
Quartermass Experiment (1955), 1984
(1956), Forbidden Planet
(1956), 20 Million Miles to Earth
(1957), Journey to the Center of the
Earth (1959), Village of the
Damned (1960), The Time
Machine (1960), Gorgo
(1961), Voyage to the Bottom of the Sea
(1961), X: The Man with X-Ray
Eyes (1963), Queen of Blood
(1966), Barbarella (1967), The Lost Continent (1968), and Planet of the Apes (1968). 2001, a Space Odyssey (1968) was the
biggest moneymaker in the United States for 1969 and has fueled
continued outer space productions from film studios with accompanying
movie tie-ins. |
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Last Revision: May 6, 2021 12:37 PM |